Poetry: Going by Taxi

I wear gloves to my elbows;  you wear herringbone trousers.
It starts to snow;  the streetlights haven’t switched on yet.
I lack ordinary patience;  where’s the towne crier?
You say correction;  I say retraction.
The citrus look exacting;  they make calm orange pyramids.
Let me buy alstroemeria;  you choose the beer.
Wood bundles whiten near the awning;  remember our fireplace?
Life takes things away from you;  the snow gives way to sleet.
You say umbrella;  I say imbroglio.
Tuesday’s best for sleuthing;  we pursue the stubborn missing.
When I’m needy, I’m rude;  keep an eye down the avenue.
We don’t want to let that taxi go by;  we don’t.
All this time yields no evidence;  all this time gives no clue.
I say angry;  you say ennui.
Let’s kiss when the meter starts;  ah, here come the lights.
I’ve forgotten the address;  you’ve a claim check in your pocket.
We stocked our coat closet with wood;  it was ten, eleven years ago.
Bugs crept out under the door;  carried far from earthy homes.
You say step on it;  I say no stop.

We don’t know the tune on the radio, and the street’s turned black
with snow.

Jeanne Marie Beaumont

Poem Published in ‘One Sentence Poems’

childhoodSo happy to say I have a poem in One Sentence Poems today! (With another coming in a week). Editors Dale Wisely and Robert Scotellaro run a fascinating literary journal focusing on poems that are are only one sentence long – which can include poems up to five stanzas, but means that the poems are invariably, compressed – short and sweet or profound, and hopefully satisfying. Here’s mine: Adagio

The Steampunk Worlds of Benjamin Carré

Benjamin Carré is a French illustrator and designer who graduated from the FASE and has a double career as a cartoonist (Vampires in Carabas and Smoke City at Delcourt) and concept designer for Darkworks video games. His illustrations, broody, magnificent snapshots of sci, steampunk, and fantasy worlds, make me swoon. spaceship illustration steampunk london illustration war blitz illustration

Top 5 Mystery Authors: Ngaio Marsh

death in a white tie
Ngaio Marsh
. Generally counted on one hand among the great dames of the English mystery’s golden age, Marsh is a New Zealand writer of the late 20th century. She wrote thirty-two crime novels over about fifty years, and most are considered classics of the genre. I’ve found her to be, at her best, the only mystery novelist I’ve read who is comparable to Christie within the style both wrote in – the sharpness of her characterizations of people both high and low in society, her good-humored approach to occasionally very dark and macabre stories, and most of all the atmosphere of her stories, such a warmly compelling blend of uncensored portrayal of evil and compassion and love for her characters. I should note, however, that I’ve also found her to be wildly uneven – I’ll pick up a Marsh novel and be wildly engrossed from the second page and come away hugely pleased – and the next week I’ll try another and be bored out of my mind.  Generally nothing in between, either – her novels are either fantastic or total duds as far as reading pleasure and quality. Unlike Christie, she chose only one hero for her novels, the deadpan, cultured Roderick Alleyn, whose mind it is a pleasure to be in, and whose famous artist wife is a significant character in several novels.

To read: Death in a White Tie

To avoid: Black As He’s Painted, which is both melodramatic and unfortunately tainted with quite a lot of the racism that was a fact of life in Marsh’s day

Caffeinated Links: Emma Watson and Miles Teller Costar, 10 Most Anticipated 2015 Poetry Books

Miles-Teller whiplash

Emma Watson and Miles Teller are almost certainly going to star together in Damian Chazelle’s next project, an oldschool MGM-style musical set in LA called La La Land. Damian Chazelle’s Whiplash, which was my favorite movie of 2014 along with Guardians of the Galaxy, just got five Oscar nominations. Emma Watson is one of my favorite people for her fierce, poised, intelligent self, and Miles Teller is my favorite 20-something actor after his knockout, charismatic, incredibly human performance as a drummer prodigy in Whiplash. THIS is a dream. RT

Flavorwire has the 10 Most Anticipated Poetry Books of 2015. “Although many books aren’t slated until later in the first quarter, 2015 is already shaping up to be a major year for American poetry, especially with the return of favorites like Mary Jo Bang, new collected works from masters like Jorie Garaham, and a book from perhaps our greatest living poet, John Ashbery. Add to this mix the rediscovery (or first translation) of forgotten yet undeniably major poets like Alejandra Pizarnik and the arrival of younger poets like Uljana Wolf, and it’s clear that poetry in America is firing on all cylinders.” RT

Flavorwire also killed it with a beautiful retrospective on T.S. Eliot’s quintessential “The Love Song of J.Alfred Prufrock.” “Thomas Stearns Eliot began writing “The Love Song of J. Alfred Prufrock” in 1910, at the age of twenty-two. The poem was published five years later, when Ezra Pound, whom Eliot met and befriended as an expatriate in Europe, sent it to Poetry in Chicago, adding: “This is as good as anything I’ve ever seen.” This year, then, marks the 100 year anniversary of Prufrock’s imaginative journey into the half-deserted streets, the one-night cheap hotels, and the chambers of the sea.” RT

Blinkboxx Books created an infographic of the ages at which famous authors were first published and first hit it big, respectively, and it’s  both fascinating and highly encouraging for aspiring novelists. “Haruki Murakami hitting his stride at 34 with A Wild Sheep Chase and Gabriel Garcia Marquez penning One Hundred Years of Solitude at 41, so don’t give up hope yet—or ever.” RT

Benedict Cumberbatch talks baby names with Ellen Degeneres. RT

Quotidian: Wonder

Wonder G.K. Chesterton quote

Poetry: Untitled

Bedridden, I ate nothing for days.  Gradually came paper-thin
noodles boiled in lemon water, salt-less crackers they called
saltines and half cups of chamomile.  Unable to escape I assumed
nothing happened in the world beyond my bedroom.  Light
changed as it always had, doves cooed in the hollows of the house,
once the sound of a woman laughing, two men yelling in a strange
tongue, the old church bells down the road and the occasional car
passing by, but the restless silence seemed to be the most
unbearable thing.

-W.J. Preston, Apple Valley Review

‘From Mansfield with Love’ Review: Web Series Based on Mansfield Park

I highlighted From Mansfield with Love when it first premiered, and wanted to check back in regarding my impressions of it now that it’s aired a dozen episodes. First off, the practical aspects of it as far as adapting Austen’s 18th-century story to a 21st-century world were, and continue to be, very cleverly done – reworking Fanny Price as a housekeeper/maid-of-all-work at a large hotel just makes so much sense and allows so many aspects of the story to fall into place organically and not feel forced. Frankie Price has worked as a housekeeper at Mansfield Hotel for years under a dictatorial manager, with only the support of her best friend Edmund to comfort her. Her brother Will sends her a camera and asks her to makes vlogs to document her life for him.

Now that it’s aired twelve episodes, I’m a little disappointed in the series on the whole. It seems sweet but uninspired (perhaps not entirely unlike the original novel, ha!) There are a few moments and scenes peppered here and there that are just wonderful, and interestingly, they’re mostly the moments that deviate entirely from the novel, when Frankie and Edmund hilariously riff off each other about imaginary scenarios or contemporary fantasy or literary worlds or the line of suitors presumably lining up outside Frankie’s door. There’s a sparkly, very endearing chemistry in those moments that’s kept me tuning in the series. On the whole, however, while the leads are engaging, the writing and dialogue are alternately quite exposition-heavy (i.e. episode 12 detailing exhaustively the details of the Crawford family), or just flat, consumed with domestic and daily details that don’t move plot or relationship forward. I do enjoy the series, but I recommend a light viewing schedule, feeling free to skip episodes or jump around within it to find the most interesting parts.

Eat Fruit

fruit display

rt Kimberly Hasselbrink

Lilies of the Field Motion Poem

Extraordinarily beautiful video by Marie Craven for The Poetry Storehouse, of a poem by Laura M Kaminksi

Lilies of the Field from Marie Craven on Vimeo.