In 2014 to celebrate Black History Month, NPR Books asked Afua Richardson, an award-winning illustrator who’s worked for Image, Marvel and DC Comics, to illustrate something that inspired her. She created this extraordinary video – 50 seconds that perfectly melds the oral, visual, and textual traditions of storytelling into something of pure magic, resonant with historical echoes.
Blood & Water: The Negro Speaks of Rivers by Langston Hughes from AfuaRichardson on Vimeo.
I love everything about this.
Lana Del Rey’s “Old Money” + Yong Pal is an inspired combination. Gorgeous.
I was pretty excited for Yong Pal before it aired, because I really like Joo Won (despite not liking most of his drama choices in the past), and was intrigued by the high-energy teaser and the promise of the premise, which made it sound more than a little like City Hunter. In case you don’t know, the premise is a nutshell was: Joo Won is a doctor who moonlights as a surgeon to gangsters and criminals in order to raise money to pay his little sister’s expensive hospital fees. Kim Tae Hee is a rich heiress who lies in a (induced?) coma. Their paths cross.
Y’all, here again to spotlight another cute webseries I’ve fallen in love with. I don’t like it as much as any of my hallowed eight, but it’s romantic and fairly fast-paced and the leads have good chemistry together. Call Me Katie is loosely based on Taming of the Shrew and is somewhat similar to 10 Things I Hate About You. If you’re like me, you just want to see the Good Stuff, i.e. the leads interacting with each other, so here’s the first instance of that.
The Time I’ve Loved You is a Korean drama remake of Taiwanese drama In Time with You, and just started airing. In Time with You, though it kind of self-destructs in its home stretch, is one of my favorite dramas, thoroughly lovely and extraordinarily well-written, that rare story that often transcends its medium to tell something real and gripping about human life and love (I wrote a full review earlier today).
The Time I’ve Loved You can be viewed one of two days: as an original story by those who haven’t seen the Taiwanese drama, and as a remake/new interpretation by those who have. Either way, I can say this: both will find it an unexceptional drama. The premise itself of two 30-something best friends who fall in love is strong, but not a guarantee of success, nor unique (9 Ends 2 Outs had the same premise). What matters is how you take that story and run with it, whether or not dialogue and music, casting, visual and pacing choices add or subtract from that premise. In this case, all those variable choices mostly subtract from it. Editing choices are odd – the drama uses an odd kaleidoscope effect to shift abruptly from past to present and back again – and the pacing is slower than in the first drama.