Tag Archives: contemporary poetry

Ten Years After My Mom Dies I Dance

This poem by Patrick Rosal absolutely knocked my socks off.

The second time I learned
I could take the pain
my six-year-old niece
—with five cavities
humming in her teeth—
led me by the finger
to the foyer and told her dad
to turn up the Pretenders
—Tattooed Love Boys—
so she could shimmy with me
to the same jam
eleven times in a row
in her princess pajamas.

When she’s old enough,
I’ll tell her how
I bargained once with God
because all I knew of grief
was to lean deep
into the gas pedal
to speed down a side road
not a quarter-mile long
after scouring my gut
and fogging my retinas
with half a bottle of cheap scotch.
To those dumb enough
to take the odds against
time, the infinite always says
You lose.

Read more at Four Way Review

Amelia Earhart and Fred Noonan Experience a Night Thunderstorm while Stranded on Nikumaroro Island

We hadn’t had water for days.
It must have hit
one hundred degrees
that afternoon.

Night lightning revealed land crabs
parrying
at the clearing’s edge,

betting on whether
me or Amelia
would die of thirst first.

As the storm broke,
we upturned cans
to catch the runnels of rain
funneling off our hammock.

We sprinted to the beach,
upturned our mouths
like tulips to the downpour.

The storm signaled its departure
in an hour,
its strobes diminishing,
deluge dying to a mist.

We laughed
as we returned
to the camp.

By then it was dawning.
We knew the fire
would be snuffed
as a candle,
crabs crowding the puddles for a drink.

I picked them up
one by one
and pinched their claws off.

Those detached V’s
flexing by the dozen
at my feet.

Amelia ripped
them from their turrets,
tossed the writhing meat
to shrieking terns.

She gathered the empty shells
in the folds of her skirt,

returned to the beach
to wade knee deep
in the waves,

then dumped them clattering
hollow amid the surf’s
persistent thunder.

-Paul David Atkins, Blue Lyra Review

Poetry: Ghazal for My Sisters

Be the woman you’re destined to be in this life;
graceful in motion, dance free in this life.

Buy tickets for any train, bus, plane or cab.
So much to hear, do, think and see in this life.

Speak up with body and voice, flowing hands—
you don’t always have to agree in this life.

Lay burdens down on altars, by lakes,
places to which you can flee in this life.

Eyes to the heavens, fingers to the sky,
hands up to feel the glee in this life.

All numbers on the scale act shady—
not everyone’s size three in this life.

Beads and bracelets, bridges and bayous.
Don’t have to be one she in this life.

A book, a pen, a solemn afternoon.
Savor your cups of green tea in this life.

Poems should be courted like a bride.
Get down on one knee in this life.

Come up for air beneath the glamour;
listen for your own plea in this life.

Every taste and flavor, every grain—
so glad you’ve come to me in this life.

-Allison Joseph, Valparaiso Poetry Review

A Long Way from the Hamptons

There ain’t no cure for the summertime blues. —Eddie Cochran

You can’t spend summers pulling auto parts at the Queens
warehouse without learning how tough it is to walk on concrete floors.

Not a shoe will cushion you as you trek from shelf to cart,
filling cardboard cartons with windshield wipers.

You wheel your cart around the corner to grab a Balkamp 1729
and discover Thelma leaning up against the metal cabinets,

sniffling and rubbing her foot. This is temporary for me, you think.
You are so bored you pull three or four orders at once,

boxes stacked up in the cart, tiny screws hop-skipping
into the wrong order. The checkers on the packing line call you

for pulling a 1728 instead of 29, and you run
the correct part to the front. You are still so bored

you vow you’ll never complain about droning lectures
and fall term classes that were not your first choice.

Afternoons, you smoke a joint with the boss’s daughter, ruining
your accuracy for the rest of the day. You can’t afford to get fired.

Going home in your red Chevy with rotted floorboards, you watch
the street roll under you like a conveyor belt studded with rocks.

You idle at the stop sign, next to a Mustang with a sun-tanned boy
at the wheel. His radio is turned to all the songs of summer.

You don’t know what you know, just that your legs ache, and
still you tap them to the music before the boy drives away.

-Elizabeth Drewry, Cooper Street Journal

Poetry: Burdens

Already my daughter’s looks
are something to bear.
Gold hair heavy
on her small shoulders.
Eyes big as burdens.

She can’t escape
people looking at her,
so lets bangs grow
over her face
like thick curtains
almost closed.

Once, on the street,
a man touched
the glowing tip
of his cigarette
right to the center
of her forehead.

A crazy man, you say.
But I know
it was beauty
leaving its hot kiss.

-Francesca Bell, Blue Lyra Review

Poetry: Kingston, Jamaica. 3am. Passa Passa Dance Party

One good thing about music / when it hits / you feel no pain
—Bob Marley, Trenchtown Rock

When her body is a compass
bearing South, and she is crouched
bare-toed and feckless above steaming pavement
poised to give birth to drum or bass,
Red Bull triggered at the wrist,
hips a bouquet of cackling fingers,
lips two hummingbirds aimed for flight,
the Glock-Nined baby brother
she nursed from croup
with lavender oil and Cat’s Claw bark,
for whom she turned a fist of nothing
into school fees and uniform,
and whom she will bury
in St. Andrew Parish Church Cemetery
once the sun fully rises,
feels more like a brilliant toothache
her tongue worries,
than a tumid and wild devastation.

-Idrissa Simmonds, Crab Creek Review

Poetry: Ithaka

Dear Penelope, do you now sleep among the catacombs?

Scarves of white drift over the Aegean – an altar of bottomless blue.

I have gone to the edge of the world and still cannot find you.

Even the olive trees raise their spangled limbs skyward in longing.

Mother Earth slides her abacus beads, conjures storms quick as curses.

When lightning struck, did the boat protect or beckon the bolt?

Island flowers shut their eyes only when the stars disrobe – hope and sorrow held
within the same root.

She imagines him bright-toothed & swarthy, but her husband is just sunburned & homesick.

So many suitors holding her skeins – she’s woven a trail for her waylaid mariner, long
as his beard and her undoing.

In twenty years she has never asked, What shall I wish for myself?

Odysseus wonders, Do I have the right to return?

Maids cast offerings to the sea: red rose petals and grape leaves, love and wine all that remain.


** The line What shall I wish for myself? is a reworking Mary Oliver’s line What shall I wish for, for myself ?

-Kelly Cressio-Moeller, just published in Thrush Poetry Journal

Video of the Day – Gorgeous, Dreamy “Ambien”

‘Ambien’ by Sarah Sloat from Nic Sebastian on Vimeo.

Poetry: Whale

In every way they come to us, we weigh them in pieces.
At dinner by the shore my sister and I pretend

to pretend we are friends
not shamed by growing up. The whales

are swimming in the cove, and all year
this has been happening—they die and wash ashore

like secrets the kids jab with pointed sticks.
First a great balloon, swelling with each day’s heat,

a smell the wind doesn’t wash away—
weeks in, the skin frays as cooling wax breaks

from a slate. My sister and I are in a cage made of ribs
that we built for each other, we are

in childhood’s oiled tent. Sometimes in our minds
we balance on the whale, feel with our toes

the grooves, the loosing of cells, the melting
inside as the methane grows. The mass of it

even scientists can’t determine.
On the whale we are little again—

she snaps a toy we shared, and I press my palm
over her nose, seal off its edges

and count to five. For five seconds
on the television, biologists weigh bricks

of animal, calculate the weight
of blood lost in the death. Always

I have carried that moment, the power
of releasing my hand, of knowing I could choose my memory.

Eventually the whale becomes
what the mind is: a body threatening to burst.

-Kasey Erin Phifer-Byrne, Word Riot

Poetry: Ultrasound

I picture her exhausted, drained, snoring
beside her snoring husband, breathless at times,
waking in fits in the dead of night

to wander the darker rooms,
leafing through a blue book of names
her mother left on the kitchen counter,

then groaning back up the hardwood stairs
for the last precious hours of rest
before the next day pushes her along,

before the bells of the 5:30 alarm,
before the cold air waiting to bite when she opens the shower curtain,
before the black drip coffee, before the blueberry yogurt,

before the kiss goodbye that doesn’t last long enough,
before the lone cough in the subway car,
before the frown of the security guard

who hands out plastic badges and points her toward the basement
where she stands beneath fluorescent lights,
signs her name, the day, the time, and admits aloud—I’m here,

I’m here. I need to see the doctor.

I smooth the cool clear gel
gently in small circles
over her stretched and tired body,

and above the thin prism
that separates me from her paper white skin,
I press down gently with the small gray wand

that speaks for me, pauses
to listen to itself, thinks for a moment,
and only then shows me

the black and white echoes of a nearly round head,
the quiver of the heart,
the cord reaching across two worlds

sharing two body heats, sharing the winter air,
sharing a black coffee, sharing the same letters
of another new story, and sharing a brief scene with me.

As I begin to speak, the static shushes impatiently.
Snow falls, and we look at the white screen—hush;
close your eyes,

and I’ll show you again.

-Vikram K Sundaram, [PANK] Magazine