Tag Archives: historical fiction

Book Review: Murder on Fifth Avenue

murder on fifth avenueMurder on Fifth Avenue, Victoria Thompson

Midwife/amateur detective Sarah Brandt and Irish detective inspector Frank Malloy return to the streets of New York in this fourteenth book in the Gaslight series, and it’s an odd reversal of strengths and weaknesses for the author. First off, if you’ve never read any of Victoria Thompson’s suberb mystery novels set in turn-of-the century New York City, you should, because they are beautifully atmospheric, and start with Murder on Astor Place, the first. However, if you have, this isn’t the best in the series.

A society man has died in the highly exclusive men’s club managed by Sarah’s father, and he calls in Frank trusting him to both solve the murder and be discreet about it. The first mystery is how and where the man was killed, as he was stabbed before arriving at the club and then slowly bled out with out pain. Frank follows a bizarre trail of secrets that leads him to the Italian mob, an innocent-seeming mistress, and the dark underbelly of wealthy New York society. The plot and pacing are significantly stronger – despite a melodramatic center, the reveals are made gradually and deftly and underscored with enough evidence and character development to make sense. The pacing is sharp and the book is as gripping and perhaps even more gripping than most Victoria Thompson novels – a mini page-turner that is hard to put down.

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Book Review: Hush Now, Don’t You Cry

hushnowdon'tyoucryFull disclosure: I only read about a third of this so this is really more my impressions than any full, impressive book review. Rhys Bowen is an award-winning mystery writer with dozens of books, and this is the 11th in her Molly Murphy series – and also my introduction to her writing.

But look – this just wasn’t very good. Molly, an Irish private detective in a world in which lady detectives are an anomaly, has just married a New York City senior detective and the two are off on their honeymoon to an acquaintance’s estate on Rhode Island. Shortly after arriving, their host turns up dead, and the two are naturally pulled into the mystery of solving his murder.

Molly (just so you know, the book is written in the first-person) is an endearing protagonist, as is her husband Daniel – both brave, fairly clever, possessed of senses of humor. But the good characterization is buried in overly long prose and a trite mystery setup. If you’re read even one or two gothic novels, much less a great many murder mysteries, you will start to check out the moment Molly arrives at an old mansion and sees the ghostly head of a mysterious child in a window – a child who was killed years before. From there, it only gets worse – a houseful of wealthy relatives any one of whom could have wanted the victim dead and who are sketched with the barest of details and personality, a suspicious housekeeper who pops out of mysterious corridors, a decanter of whisky conveniently left in a secluded spot…

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