Tag Archives: Joss Whedon

Caffeinated Links: Far From the Madding Crowd, Steven Spielberg to Direct Ready Player One, ‘The Flash’ Stars Sing the Serenity Ballad

far from the madding crowd 2015 poster

Fox Searchlight released the first, gorgeous poster for the upcoming adaptation of Thomas Hardy’s Far from the Madding Crowd, starring Carey Mulligan and Matthias Schoenaerts.

In news that had me gibbering with nerdy glee, Steven Stielberg is to direct an adaptation of Ernest Cline’s Ready Player One. Ready Player One is a hugely popular sci-fi/dystopia novel that is a blast of inventive good fun as it follows the adventures of Wade Watts, a brilliant, somewhat overweight pop culture fanatic (I mention this because I wonder if the film will be true to this or replace him with someone who looks like, I don’t know, a Hemsworth) who spends his life, along with most of humanity, inside a massive virtual reality game.

The Flash‘s Jesse Martin, Carlos Valdez, and Rick Cosnett sing a gospel, acapella version of The Serenity Ballad and it is everything you want from life. Apparently it was a big thank-you to Joss Whedon for donating a large sum to their Kickstarter project.

Caffeinated Links: Boyhood’s Oscar Loss, Celebrities Date, the Emotions of Possessions, Women and Star Wars

Milan premiere of 'Cinderella'Lily James and Matt Smith are, adorably, dating. Cheers for British acting royalty coming together! RT

Japanese lifestyle writer Marie Kondo’s book the life-changing magic of tidying up unfolds her philosophy on owning and discarding your possessions. “Kondo’s philosophy is that you should only own things that you love, that everything else is just wasting both physical and emotional space. Although some of her advice can be eyebrow-raising (you’ll see), I decided to commit, following her advice to the letter one Saturday in January.” RT The Millions

EW’s Chris Nashawaty on the Oscar Boyhood loss- “More than anything, I think we’ll remember the movies. 2014 was a great year for them—and the Academy obviously thought so too, judging from the way it spread the love around to several deserving films. That said, while I don’t think anyone will look back years from now and consider Best Picture winner Birdman an embarrassment on par with Crash or Forrest Gump, I do think we’ll all still be wondering how in the hell Boyhood didn’t take it.” RT

But it’s Slate who nailed it. “By nominating Boyhood, the academy gave itself the chance to recognize a movie that is not just good but revolutionary—a film that reconsiders, in surprising and rewarding ways, the medium’s relationship with time, with storytelling, and with its audience. It’s both a singular work—no one but Richard Linklater could have made it—and a universal one, reflecting the elemental formative experiences of nearly every viewer, even those who don’t, on the surface, have a lot in common with Mason or Samantha or Olivia or Mason Sr. It’s the crowning work of a crucial American filmmaker and a profound statement about the lives we live. But the academy gave Best Picture to a movie about an actor’s identity crisis—a movie about, in Mark Harris’ perfect turn of phrase, “someone who hopes to create something as good asBoyhood.”  RT

Fellow Sound on Sight writer Mallory Andrews has a wonderful piece on being a woman and loving Stars Wars – “Holding Out for a Heroine”. “My Leias had one important difference: my versions always included a lightsaber (often stolen from one of my brother’s three Luke Skywalkers). My logic behind this character embellishment was airtight: she was the “other Skywalker,” the sister of the galaxy’s greatest Jedi hero, whose latent Force powers were surely awaiting discovery after the events of the Return of the Jedi. Why wouldn’t she have a lightsaber? The worst unfulfilled promise of Star Wars has always been Yoda’s proclamation that “there is another Skywalker” and the eventual reveal that Leia was this new hope. Her potential is teased (“You have that power too. In time you’ll learn to use it as I have”) but it is never followed through.” RT

Joss Whedon gave Digital Spy a great interview. “Fox’s X-Men property came up, as its home to many notable A-List female heroes — Storm, Rogue, Kitty Pryde, Jean Grey, Mystique — that Marvel Studios cannot use. “The X-Men was the next evolution of the Marvel paradigm back when I was reading it,” said Whedon. “And, you know, because of the metaphor [of] they were dealing with these oppressed people … there really wasn’t a gender bias in the books. As soon as Marvel [Girl, aka Jean Grey] became Phoenix, the most powerful person in the universe, everything was on the table. It was all multicultural and there was no real question of gender in the book. Now, you can look at it and say, ‘Well, this attitude is dated.’ I’m sure that’s the case if I went back to them. But the fact is it was kind of a utopia. I didn’t know it at the time, because I just assumed that’s how things should be done.” RT

“The idea that police use the good cop, bad cop routine is “very Hollywood,” he says. In fact, it’s standard procedure to record interrogations either using video or audio, he says, preventing fishy business. Plus, the police have just as much interest as the public in nabbing the real criminal, Esparza says. “No department wants the image of locking up innocent people.” RT She Can Convince You That You Committed a Crime

The Atlantic on Cowboy Bebop

cowboy bebop

Alex Suskind brilliantly profiles Cowboy Bebop at The Atlantic.

“On paper, Cowboy Bebop, the legendary cult anime series from Shinichirō Watanabe, reads like something John Wayne, Elmore Leonard, and Philip K. Dick came up with during a wild, all-night whiskey bender. (As Wayne famously said, “Talk low, talk slow, and … I’m not drunk you’re drunk Elmore why’s the room spinning?”)

Set in 2071, Bebop imagines a dystopian future where earth has been irrevocably damaged due to the creation of a “stargate,” forcing humans to evacuate the planet and create colonies across the solar system. The result is a galaxy of lawlessness, where crime lords rule and cops pay bounty hunters (often referred to as cowboys) to handle some of the grunt work. People drink in dive bars. Income inequality is terrible. Everyone speaks like they’re background extras in Chinatown. The show ultimately features so many cross-ranging influences and nods to other famous works it’s almost impossible to keep track. It’s Sergio Leone in a spacesuit. It’s Butch Cassidy and the Sundance Kid with automatic weapons.”

read more at The Atlantic 

Quotidian: Write It by Joss Whedon

joss whedon write it quote

Firefly References on Castle

“Fray” by Joss Whedon

In your dreams, you’re someone else. A slave. A princess. A girl in school in a sunlit city.

FrayHeaderI’ve been reading Joss Whedon’s “Fray”, and I am very in love with it. Set in a chaotic, dystopian future world in which crime runs rampant and the gap between the wealthy and the poor has divided all of society, it’s focused on Melaka Fray, a street kid who has made a living as a skilled thief. Manhattan, where she lives, has become a deadly slum run by mutant crime-lords and corrupt or disinterested cops, and Melaka’s only family is her estranged sister, a cop. One moment, Melaka Fray is fulfilling another job for her crime boss, and the next, he’s paid her extra for the job, cut off all ties with her, and she’s being hunted by multiple assassins.

It’s fascinating and badass and the world is like a cross between the cyperpunk grittiness of Dark Angel and the sardonic one-liners of Veronica Mars. It’s not particularly unique – it’s very much a combination of previous Whedon projects – but there’s so much flare here. And something entirely magical about the character of Melaka, a great blend of vulnerability and utter, effortless cool.

Hey, Los Angeles (Caffeinated Break)

kitten

Hugh Laurie’s love letter to Los Angeles in The Telegraph is the kind of defense I wish I could give of LA to the (many) unbelievers I’ve encountered since leaving the City of Angels.

“I love you, I hate you: you might call it a mixed message, if the message weren’t so unmixed. You’re allowed to love Paris, up to a point, New York, more or less, Dublin and Glasgow, definitely, but loving Los Angeles is just plain wrong. Oxymoronic, in fact – if you promise to go easy on the oxy.

…And then, as the drowned man said, there’s the weather. Great, fat dollops of it. On the eighth day, God reached down and set southern California’s thermostat to “lovely”, and he hasn’t really touched it since.

But Los Angeles, if it’s anything, is a place of reinvention, the edge of a continent, both inner and outer, from which you can step off into a new life and a new way of looking at things. Or, if you prefer, you can decide that your old life was just fine. Either way, you end up better off.”

Hugh Laurie’s Los Angeles

And the Huffington Post has a fairly brilliant analysis of a troubling aspect of the ever-increasing collisions between nerd culture and “pop” (as in “popular”) entertainment.

“I enjoyed Star Trek Into Darkness, but the worst part of the movie was the almost complete recreation of the Kirk-Spock death scene from Star Trek II: The Wrath of Khan. It’s not so much that J.J. Abrams, Roberto Orci, Alex Kurtzman and Damon Lindelof did recreate that scene, it’s that they did so in an effort to make people watching say, “Oh, I get it.” Great! I mean, of course you “get it.” How could you not get it? Everyone gets it. That’s the problem. The best kind of fan service is when very few people get it. Being beat over the head with a reference to a prior movie isn’t fun for anyone.

I keep thinking about Whedon’s sentence, “I feel that’s what all of culture is becoming — it’s becoming that moment.”

-Joss Whedon Is Right About ‘Indiana Jones And The Temple Of Doom’

Caffeine Frenzy: Advertising Against Child Abuse, Film Scripts, Daredevil, Whedon

Light-Bulb

Billboard Shows Different Messages for Kids and Adults – In this case, if the billboard is seen by children under 1.3 meters (about 4 feet 3 inches), then the message, “If somebody hurts you, phone us and we’ll help you” appears along with a phone number for the ANAR Foundation (Aid to Children and Adolescents at Risk). There’s also a message just for adults, a warning saying, “Sometimes child abuse is only visible to the child suffering it.” (RT Mashable)

The Low-Grade Fever in the Southern Baptist Convention – “It’s easier to debate small matters with people who see the world much like we do than it is to engage with a lost world that seems increasingly hostile to the Christian perspective.” (RT The Gospel Coalition)

Solving Equation of a Hit Film Script, With Data- “A chain-smoking former statistics professor named Vinny Bruzzese — “the reigning mad scientist of Hollywood,” in the words of one studio customer — has started to aggressively pitch a service he calls script evaluation. For as much as $20,000 per script, Mr. Bruzzese and a team of analysts compare the story structure and genre of a draft script with those of released movies, looking for clues to box-office success.” (RT The New York Times)

What Can Marvel Do To Make Daredevil Work? Copy “Arrow” (Or, “Angel”) –
“With stories that are usually less about the action and more about the intrigue, and Daredevil solving crimes and prosecuting criminals at least as much as he’s kicking ass, there’s much more narrative potential for an ongoing superhero legal dramedy than another attempt at a blockbuster franchise. What would that show look, sound, and feel like? If you weren’t paying attention earlier, go ahead and re-read the title of this piece. So, hey, let’s make “Daredevil” a TV show, Marvel.”  (RT Pajiba)

“Make it dark, make it grim, make it tough, but then, for the love of God, tell a joke.” – Joss Whedon

[Film]: Movie Stars On Star Wars Episode 7

Joss Whedon, Ewan McGregor and others on whether they’d appear in JJ Abrams sequel if asked. Jason Statham says he’s not a Star Wars fan and is henceforth dead to me.

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