2004 cult classic TV show Veronica Mars is one of the great loves of my life (it’s one of the tags used enough to actually show up in my tag cloud to the right, for the record). So of course I pre-ordered show creator Rob Thomas and co-writer Jennifer Graham’s second book in the novel series as soon as it was available, knowing that, even if I didn’t like, it, I still wanted to support the series and the world.
In Mr. Kiss and Tell, a girl has been brutally raped and assaulted, and claims that an employee at the Neptune Grand, where she spent the evening before her assault, is the perpetrator. She plans to sue the hotel, which hires Veronica to find out the truth.
The second half of this (as was the case in the first book), is much faster-paced and tighter than the first half, but only my familiarity with and love for the characters gives life to what is unfortunately rather an underwhelming, stale world. Every single plot twist and turn, except perhaps one, is predictable – the book sets up the two or three central conflicts in the first one-third and then unrolls them in exactly the way you’d expect, without deviation. One of these subplots is the institutionalized corruption and injustice of the police force, and the series wants to be a dark, gritty take on this, a reflection of 21st-century realities, but the depth of world and character-building just isn’t there. What does that structure look like, how does corruption interact with itself, what are the internal processes and motivations of those involved? The subplot is brushed on, hinted at further development, but never really delved into.
Logan takes up a scant handful of pages sprinkled through the novel, reflective of his non-prioritized role in Veronica’s life, which is faithful to the original series but is puzzling and frustrating at this point. Rob Thomas and the writers assured fans by the events of the film that Veronica is deeply in love with Logan and committed – yet one of the same things that tore them apart in the TV series is still evident, and unlike in the series, the book doesn’t show it as a flaw: Veronica’s compulsive habit of prioritizing her cases over everything in her life.