Tag Archives: poetry

Poetry: The Years

Such were the years, a dumb stuffed thing
to say, if truth is we all grow old un-
observed, limbs flail only halfway up
a flight, where does dark begin settling
my little bones. I dream and do love
to have them, blue fish
in a lake, my head more tipped up than down
under damp earth. Some days others like deer
from the shot, peeled back, how nuisance I
find trees dressed in wild
green light. The years come, unstitched
a face, saddled as one would a heavy beast
for walking, likely I became then a member
of heaven, put up, the years come and reaching
their long wet hands.

-Wendy Xu, Guernica

Poetry: Sleeping with Grief

I don’t know what to do with my wife’s grief,
How she clutches my shirt,
Weeps the way Eve wept for Abel,
Sorrow wild, thick as locusts.

She says grief sits in her stomach,
Fills her up like Thanksgiving dinner.
I imagine carving grief, serving it
With stuffing, black and full of onion.

I’m trying to understand
How despair works, how being alone
Is like burying her mother again.

I’m not alone, she says.
When you leave, grief crawls
Into bed with me. I can’t say no.
I can’t close my eyes, turn my back.

At night, in the dark, I lie
Next to my wife, put my arm across
Her sleeping body, feel her chest
Rise and fall, slow as a funeral.

If I press my ear to her breast,
I will hear the sound Eve made
When God introduced her to death.

-Martin Achatz, Mayapple Press 

Poetry: The Coming of Light

Even this late it happens:
the coming of love, the coming of light. 
You wake and the candles are lit as if by themselves, 
stars gather, dreams pour into your pillows, 
sending up warm bouquets of air.
Even this late the bones of the body shine 
and tomorrow’s dust flares into breath.

-Mark Strand, Poets.org

This Is the Poem That’s Going to Get Me Out of the Mines

This is one of my favorite prose poems of all time, a transcendentally self-mocking poetic creed that’s a delight from start to finish.

Jonathan did it. He teaches at a university in Washington now.
Or Oregon. I forget. But he said he gets fifty grand a year.
To teach creative writing. That’s like winning the lottery.
I make thirty grand and my lungs are turning into a collection
of twisted lies. I cough more than I think. I asked Jonathan
how he did it and he said he didn’t know. It was like God
napalmed him with luck. He got some award for a poem
about a goddamn lake and suddenly they pay him a thousand
dollars to read for fifty minutes in an auditorium filled
with students who don’t want to be there. I tell him to seriously
tell me how to do it and he said you have to make sure
there’s a lot of mist in the poem, that they can see the mist,
feel the mist, and then just go from there. He says that poets
love mist. They want so much mist in a poem that you can’t
see anything else other than mist and then from that mist
you have something really beautiful peek through and then
something really ugly peek through. But it can’t be too ugly,
he says, or you’re fucked. And he says don’t swear. He says
you want mist and beauty and a touch of ugly

read more

-Ron Riekki, Juked

Vote for the Next Poet Laureate of the Upper Peninsula

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You can vote now for the next Poet Laureate of the Upper Peninsula! Nominees were publicly chosen and are being publicly voted for on the Great Lakes of Commonwealth Letters website.

Nominees are (sample poems linked): Marty AchatzElinor BenedictEric GadzinskiKathleen HeidemanJonathon JohnsonBeverly MatherneJaneen RastallRon RiekkiJillena RoseAndrea Scarpino, and my talented friend Saara Myrene Raapana.

You can vote for anyone, but for the record, you should vote for Saara.

Vote now!

Poetry: A Spokesperson Said Thoughts and Prayers Go Out

Out like what? Whispers
in a tin can tied with yarn
a thousand miles long
to the can of a woman, her
ear desperately pressed
to its emptiness? Like a loon’s
song transmitted by Morse?
Can you fathom the miles
of murky ocean that whale
must sing through? Did you know
some people believe
all sounds ever made
are still present, hovering
like butterflies? Even, say, the whir
of a copy machine out there
in the ether, sent flying
when the first plane hit? Do you see
voices as monarch wings
wheeling through the sky?
If you shout from the window
of a thousand-foot tower
before you fall, where does
that scrap of voice go? Is it still
falling? You mean go out
like candles snuffed by the wind?
You mean out like empathy
in tiny increments marching
like ants made of sound
across the wires of the world?
Did she just hear an Our Father
whiz past? I’m sorry, I’m sorry,
she said. I think you’re
breaking up.
-Sonia Greenfield, Rattle

Poetry: Apocalypse

At the end of the world
there are no roads,
only plateaus of blue ice
and glimmers of fireworks;
if you are lucky you will
gain a free ticket to the show
and maybe an immune
companion to chat with
during intermission.

-Karen Lewis, One Sentence Poems

The Day Lady Died

It is 12:20 in New York a Friday
three days after Bastille day, yes
it is 1959 and I go get a shoeshine
because I will get off the 4:19 in Easthampton
at 7:15 and then go straight to dinner
and I don’t know the people who will feed me
I walk up the muggy street beginning to sun
and have a hamburger and a malted and buy
an ugly NEW WORLD WRITING to see what the poets
in Ghana are doing these days
                                                        I go on to the bank
and Miss Stillwagon (first name Linda I once heard)
doesn’t even look up my balance for once in her life
and in the GOLDEN GRIFFIN I get a little Verlaine
for Patsy with drawings by Bonnard although I do
think of Hesiod, trans. Richmond Lattimore or
Brendan Behan’s new play or Le Balcon or Les Nègres
of Genet, but I don’t, I stick with Verlaine
after practically going to sleep with quandariness
and for Mike I just stroll into the PARK LANE
Liquor Store and ask for a bottle of Strega and
then I go back where I came from to 6th Avenue
and the tobacconist in the Ziegfeld Theatre and
casually ask for a carton of Gauloises and a carton
of Picayunes, and a NEW YORK POST with her face on it
and I am sweating a lot by now and thinking of
leaning on the john door in the 5 SPOT
while she whispered a song along the keyboard
to Mal Waldron and everyone and I stopped breathing
-Frank O’Hara, Lunch Poems

Poetry: Crown for a Young Marriage

This excerpt is from one of my favorite contemporary poems, which was just selected by Rattle for one of this year’s Pushcart Prize nominations. Extraordinary, illuminated.

If I was nothing else, but was a wife;
If I did nothing else, but could make meals
with scraps and pantry staples and a knife
I got when I was twenty-nine; if real
commitment (an abstract and noble word
before it tangles up with sacrifice)
turns out to mean a smaller life, less heard,
less heralded, less published, and less prized;
if after spending summer days indoors
for several years, and writing frightening verse
I’m eighty-odd and pale and little more
than what I am today, will I be worse
off than my single, roving poet friends?
I doubt it, but you’ll have to ask me then.
3
I doubt it, but you’ll have to ask me then.
I doubt that I’ll be doddering and hunched
and wishing I could do it all again
because I felt I’d missed out on a bunch
of fellowships. And Christ, I love you. Christ
do I remember loneliness, and what
I did for scraps of evenings, what sufficed
for kindness. Offer me a life, a glut
of love, of undeserved reserves of grace
and nice interpretations of my faults.
I’ll still find ways to be unhappy. Face
the facts, though—I’m at home filling the salt
shakers, cleaning the microwave, unknown.
But staunchly, resolutely unalone.
-Mary Block (view her website here)

Poetry: Almost

There is no language for why
I wanted to stroke your cheek yesterday
When you first arrived at the pub
Friend of a friend, unfamiliar
And promise-full as a new metaphor

Why I noticed the soft flesh
At the V of your T-shirt
The tender Canadian “Eh”
Inflection-propped as I imagined your body might be
Supported by an elbow amid ruffled sheets

Why it felt right for our knees to touch
And stay touching, warmth just short
Of a spark sustaining the connection
As the day lost itself to growing chill

There is no reason, no rhyme
For why I spent all of today smiling
At something more than April sunshine
And the prospect of a drink with you after dinner

When, hearing you mention a boyfriend,
In a parallel universe, another me learns again those
Other things for which we have no words:
Nothing as easy as anger; just the slow wilt
Of waste, desire cooled like a Spring day
Retreating where unbeen chances go to die.

In ours, I learn that sometimes, just feeling
Is enough. I hug you, promise to email and surprise
Myself with a skyward grin at whatever God
Decided this might amuse.

In yet another, another you sits on my hotel bed:
As we talk about planting trees, saving the world,
I start to run my hands through your hair.

-Aaron Maniam, from the Singapore poets edition of Blue Lyra Review