Tag Archives: strong female characters

Caffeinated Links: Black Widow/Captain America Relationship, Colin Firth, Mindy Lahiri

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Captain America: Winter Soldier was one of the better movies I’ve seen in a while, and easily one of the best superhero movies. I’m particularly loving this article from EW about the Black Widow/Cap relationship. “Which is why it feels weird to take up “Who Will Black Widow Hook Up With?” as a talking point. The answer could totally be “no one,” and that’s fine. But I don’t think I’m the only one who felt the Cap-Widow chemistry in Winter Soldier. There’s a nice bit of mutual dislocation in their characters: He’s a man out of time; she’s a woman without a past. (She’s from Russia, question mark?) He’s pure pre-’60s sincerity, she’s pure post-’90s cynicism. (Evans and Johansson even have an onscreen past: Friends in The Perfect Score, dating in The Nanny Diaries.)” RT

Colin Firth gives a very funny and endearing appearance on The Tonight Show in which he talks about learning to do a somersault. RT

Bill Morris at The Millions writes eloquently about the rise of second novels. “Of course, second novels don’t always flop — or drive their creators away from fiction-writing.  Oliver TwistPride and Prejudice, Samuel Richardson’s Clarissa, Thomas Pynchon’s The Crying of Lot 49, and John Updike’s Rabbit, Run are just a few of the many second novels that were warmly received upon publication and have enjoyed a long shelf life.  But until about a year ago, I regarded such stalwarts as the exceptions that proved the rule.  Then a curious thing happened.  I came upon a newly published second novel that knocked me out.  Then another.  And another.  In all of these cases, the second novel was not merely a respectable step up from a promising debut.  The debuts themselves were highly accomplished, critically acclaimed books; the second novels were even more ambitious, capacious, and assured.” RT

TWC Central on The Mindy Project. “Ms. Kaling may have been something of an annoying caricature on The Office, but on The Mindy Project she has written herself a plum role – and become a role model. Her Dr. Mindy Lahiri is based on her late mother, who was also a doctor, and like her mother is a smart, well-educated professional. She is both self-conscious of her weight and other body issues, but also remains proud of her curves, her color and her culture. Her character, like the woman herself, is not the cookie-cutter cuddly cutie pie so often found on sitcoms. She is smart, yet makes many bad decisions, mostly by following her heart rather than her head, and that is just another reason why so many viewers love Dr. Lahiri – and Ms. Kaling herself.”RT

Caffeinated Links: Pond, Silence, Wife-Finding

Superb post from Tiger Beatdown on Amy Pond-

“But when it becomes clear that a female character is defined solely in male terms, as someone to be macked on, fought over, knocked up, or rescued, there’s a problem.  It’s not even that any of these cliches are insulting. It’s that they’re everywhere, and they’re boring.  So much of popular culture is devoted to telling the exact same love-marriage-childbirth story over and over, as though it applies to all women in the world, and peddling the lie that deep down inside that’s all any of us really care about.  And lots of us care about those things deeply, but not to the exclusion of everything else.” (RT)

This article on the differences between how men and women communicate and think packs a powerful punch. “And then, one evening when they’re driving home, a thought occurs to Elaine, and, without really thinking, she says it aloud: “Do you realize that, as of tonight, we’ve been seeing each other for exactly six months?” (RT)

“Men are called to take initiative in finding a wife. If called to marriage — and most men are — they should, when mature and ready, leave their childhood home. They should pray to God for a wife, and they should seek one with a balance of wisdom, trust and assertiveness.

So this is it. This is God’s good plan for those called to wed.” (RT Boundless)