4 Books For People Who Like Character Driven Novels

4characterdrivennovels2Broke and Bookish launched this book theme for the week, so I thought I’d participate. They did 10 but I’m lazy and write longer descriptions because I get carried away so you’re getting four.

1. Eleanor and Park, Rainbow Rowell. I’ve mentioned my love for Rainbow Rowell several times before, if you haven’t read her yet, she practically defines character-driven works. Eleanor and Park is a linear novel in that there are almost no characters featured at all beyond the central two; it’s a deep dive into the minds and personalities of two intelligent, outcast teens. Eleanor is a curvy loner with a unique clothing style and a troubled home life. Aloof Park is respected but left mostly alone due to being one of the only Asians at the high school. After a first, tentative connection on the bus, Eleanor stars reading along with him on the comic books he reads every day on the way to school. They forge a slow, tender, passionate connection over a shared love for music and comic books. It’s one of the best love stories I’ve ever read, and Rowell isn’t afraid to show the push and pull, tension and release, the intense obsession and curling joy and turbulence that comes with that epic first love.

2. The Portrait of a Lady, Henry James. You didn’t really think I could answer this without including the book featuring Isabel Archer, one of the most complex and also identifiable female heroines ever, right? I don’t like most of James’ other works, but this – it feels as though James is sitting behind me reading my thoughts. Isabel Archer is an American of good birth and no money until an elderly acquaintance spontaneously leaves her a huge fortune. She finds love, misfortune, and a lot of societal complications as she travels between Europe and England and finally settles down in Italy. It’s the most perceptive book I’ve ever read about how women think, in the same way that Nick Hornby captures how men think in his funny, piercingly accurate prose.

3. A Murder for Her Majesty, Beth Hilgartner. Who read this as a kid? One of the most re-readable books I’ve ever come across, this incredibly engrossing book is technically written for younger/teen readers but it so beautifully plotted and captures the atmosphere of 16th-century Tudor London so vividly, you’re immediately drawn in. Orphaned Alice Tuckfield is on the run, penniless in the rain, having left behind her country home after the sudden murder of her father. She stumbles upon a cathedral and is taken in by a group of choirboys who befriend her and allow her to join them if she masquerades as a boy. Mystery, plots, a gruff tutor who becomes a father figure, and plenty of banter and friendship light up the book. The boys all have distinct personalities and interact with Alice differently, becoming her family, brothers, and friends, and she, plucky, well-educated, and a gifted singer, leaps off the page. Most of the Goodreads reviews of this are from adults who report they couldn’t put it down, and there’s a reason why. So good.

4. Sunshine, Robin McKinley. I am not certain if this is the only adult book Robin McKinley ever wrote, but it’s certainly one of the few. Sunshine has always known there’s something a little different about herself, but since she doesn’t know what it is, she continues living her life as a baker in her small town. One day, however, she’s grabbed and wakes up chained to a wall next to a similarly shackled human-ish creature named Constantine. Things for from there. Sunshine is flawed, and funny, and snarky, and even as she very (very) reluctantly falls in love with the vampire whom she’s been thrown together with and who winds up protecting her from his own kind, she gives him all kinds of hell. This book is immutably gripping and so much better than I can describe, mostly because Sunshine is amazing.

1-Minute Reviews of Fall Shows

the flash grant gustin

-ABC’s Forever got off to a very strong start with one of the more confident pilots I’ve seen in a while, but its second and third episodes vacillated between ludicrous and mind-numbingly dull. There’s all the structure to create a good procedural ala Castle – strong leads with a lot of chemsitry and interesting histories, decent premise – but no sense of pacing and very poor writing kill it pretty thoroughly.  Ioan Gruffud has inexplicably gotten hotter with age, here’s hoping eventually he lands on something worthy of him.

-ABC’s Selfie is annoying for the first half of its pilot and then charming.  I reviewed it here, and having seen its second episode now I can say it’s underwhelming but not completely awful. However, its quality is a moot point since it’s pulling in spectacularly low ratings and will get canceled.

-CBS’ Scorpion is a sweet show and is kind of like that painfully socially awkward/unintentionally rude kid that you can’t help but find likable but you still wish someone would take him in hand and teach him how to polite and act in appropriate ways. It’s not that its offensive – its plots are just so inane that I can’t take any element of them seriously. Good ensemble, with some parts stronger than others (Happy, a brusque female mechanical engineer, and Toby, a snarky psychiatrist/con artist, are standouts both separately and together and already fan favorites, but statistical genius Sylvester comes across like a cardboard cutout of a dorky brain) but…hands down the silliest drama I’ve seen in at least several years. The pilot was mediocre, second episode showed a lot of promise, and the third made my brain melt with its total lack of competency and believability. I found myself laughing out loud as the team scrambled to stop a bomb exploding. I want to like this. I just can’t.

-CBS’ Stalker is as bad as I thought it was going to be – see this review for everything I thought said better

-CBS’ Madam Secretary is surprisingly really good, sort of like a cross between 24 and Scandal, only without the bullets. Seriously. Badass performances, solid plot, and really hot Tim Daly husband.

-CW’s The Flash is resounding good and to my surprise has left every single bit of its competition in the dust. It’s strongly constructed, the cast was deftly chosen, and it’s just charming and fresh and light-hearted yet with strong emotional hooks. I love, love it.

Quotidian: Stephen Colbert

ya novel stephen colbert

‘The Flash’ Pilot Screencaps and Thoughts

the flash screencapI had not honestly thought that The Flash would be as good as Arrow. Two amazing, strongly written comic book shows is far too much to expect from the same network, right? Plus, it felt like they were cheating by trying to have two at once. But The Flash is everything one could want in a superhero show, with one of the strongest pilots I’ve seen since Lost as far as setting up world, character, and story without repetition or slow pacing. It’s crisp and cheeky and Grant Gustin is that perfect charismatic blend of badass, scientist, and super-nerd. I love it.

grant gustin the flash

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Under the Light of a Thousand Stars- ‘Thinking Out Loud’ Ed Sheeran Official Video

This. is really gorgeous.

When your legs don’t work like they used to before
And I can’t sweep you off of your feet
Will your mouth still remember the taste of my love?
Will your eyes still smile from your cheeks?

I’m thinking out loud
That maybe we found love right where we are

8 Favorite Web Series (Or, 8 Favorite Romantic Literary Adaptions): Nothing Much to Do, The Classic Alice, and more

8 favorite webseries

Webseries adaptations of beloved literary classics have been absolutely the sunshine of my life the past few months – like many people, The Lizzie Bennett Diaries is what initially pulled me in to the genre, then Kissing in the Rain made me happy, and it’s all history from there. Of the thousands of webseries on Youtube, my favorite are hands-down the literary adaptations, which have been seeing a huge boom in both creation and attention recently. They are five-minute interlocking episodes of romance, banter, combative chemistry, friendship, sisterhood, and a reworking of classic and loved characters into modern and immensely identifiable characters. Nothing not to love.

Now, note that while I whole-heartedly recommend the top four, the other four are fun but flawed. I’m waiting with great expectation for future ones to debut to knock these down or off the list.

I am not going to include The Lizzie Bennett Diaries because it goes without saying it’s my overall favorite (though NMTD is so close) and because I wrote it up here and am tired of talking about it.

1. Nothing Much to Do. God. I’m obsessed with this. Created by four New Zealand girls and performed by a large-ish cast of New Zealanders and one British boy, this is deliriously gripping and romantic for a webseries. It’s a loose modernized adaptation of Much Ado about Nothing in which Beatrice and Benedict are high school students who were good friends when they were much younger but drifted apart when Benedict acted like an idiot, and the two have hated each other ever since. When he comes back into town, the two immediately get off on a combative foot, to the dismay of all their mutual friends, who decide to convince each that the other is in love with them.

There’s a lot more characters than in most webseries. There’s also a delightful looseness and flexibility to the filming – there are several group scenes and scenes in differnet locations, including ones set at a party, at the high school, and outdoors after a football match, which is really fun and makes the world feel more real. Also, there’s almost no monologues at all – nearly every episode has at least two people dialoguing and interacting with each other onscreen.

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Book Review: Murder on Fifth Avenue

murder on fifth avenueMurder on Fifth Avenue, Victoria Thompson

Midwife/amateur detective Sarah Brandt and Irish detective inspector Frank Malloy return to the streets of New York in this fourteenth book in the Gaslight series, and it’s an odd reversal of strengths and weaknesses for the author. First off, if you’ve never read any of Victoria Thompson’s suberb mystery novels set in turn-of-the century New York City, you should, because they are beautifully atmospheric, and start with Murder on Astor Place, the first. However, if you have, this isn’t the best in the series.

A society man has died in the highly exclusive men’s club managed by Sarah’s father, and he calls in Frank trusting him to both solve the murder and be discreet about it. The first mystery is how and where the man was killed, as he was stabbed before arriving at the club and then slowly bled out with out pain. Frank follows a bizarre trail of secrets that leads him to the Italian mob, an innocent-seeming mistress, and the dark underbelly of wealthy New York society. The plot and pacing are significantly stronger – despite a melodramatic center, the reveals are made gradually and deftly and underscored with enough evidence and character development to make sense. The pacing is sharp and the book is as gripping and perhaps even more gripping than most Victoria Thompson novels – a mini page-turner that is hard to put down.

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New Webseries: “Shakes,” a Modern Adaptation of Much Ado about Nothing, Hamlet, and Romeo and Juliet

Don’t tell anyone, y’all. I’m about to start ANOTHER webseries. Perhaps this weekend I’ll do a roundup review of all the ones I’ve seen recently, because it’s become quite the sickness. I can’t help it! There’s romance! Adaptations of my favorite Austen novels and Shakespeare plays! There’s easily-accessible viewing on Youtube! What’s not to love?

I just found out about this one, which is a mashup of Much Ado about Nothing, Hamlet, Romeo and Juliet,  with Beatrice and Benedict as the main characters, a journalism student and young lawyer, respectively, and and am going to start the first episode tonight!

Poetry: Whale

In every way they come to us, we weigh them in pieces.
At dinner by the shore my sister and I pretend

to pretend we are friends
not shamed by growing up. The whales

are swimming in the cove, and all year
this has been happening—they die and wash ashore

like secrets the kids jab with pointed sticks.
First a great balloon, swelling with each day’s heat,

a smell the wind doesn’t wash away—
weeks in, the skin frays as cooling wax breaks

from a slate. My sister and I are in a cage made of ribs
that we built for each other, we are

in childhood’s oiled tent. Sometimes in our minds
we balance on the whale, feel with our toes

the grooves, the loosing of cells, the melting
inside as the methane grows. The mass of it

even scientists can’t determine.
On the whale we are little again—

she snaps a toy we shared, and I press my palm
over her nose, seal off its edges

and count to five. For five seconds
on the television, biologists weigh bricks

of animal, calculate the weight
of blood lost in the death. Always

I have carried that moment, the power
of releasing my hand, of knowing I could choose my memory.

Eventually the whale becomes
what the mind is: a body threatening to burst.

-Kasey Erin Phifer-Byrne, Word Riot

‘Scorpion’ Episode 2 Screencaps – Single Point of Failure

I didn’t expect to like this at all, especially in the wake of disinterested/negative reviews from critics, but this is good pop television, especially in the second episode, a sort of slightly more awkward younger sister of Leverage, but with plenty of chemistry between the cast and especially between Katherine McPhee as Paige and Elyes Gabel as Walter. It’s not great and some of the exposition is clunky but it’s entertaining and likable and hits all the right emotional notes. I’m hooked. Also? Elyes Gabel is hot. vlcsnap-2014-10-01-18h10m28s102 vlcsnap-2014-10-01-18h16m27s86 vlcsnap-2014-10-01-18h16m45s29 vlcsnap-2014-10-01-18h17m06s223 Continue reading