Tag Archives: Jo Nesbo

Joni Mitchell’s Blue – A Perfect Album; Bong Joon Ho’s Parasite – Best Film of the Year; Nordic Crime Fiction- Smilla’s Sense of Snow

Things I’m into right now!

“What makes a perfect record perfect?”

I remember the first time I heard a Joni Mitchell song. It was “Both Sides Now” – I came upon it directly after listening to Leonard Cohen’s “Famous Blue Raincoat” for the first time, which is as it should be, and a story of music and magical discovery all its own. What I remember about “Both Sides Now” is that it was one of the first songs to give me that sense that all great songs do: that is has always existed, that I was already aware of its existence, and that when I heard it, synapses in my brain fired to make this unknown thing instantly familiar, recognized, remembered – and loved. All of which is a long way to say: read this article – Anatomy of a Perfect Album: On Joni Mitchell’s Blue [Lithub]. “Both Sides Now” isn’t from Blue – “River” is, which is another classic, and a Christmas song, shot through with a gorgeous yet assenting wistfulness that sweeps you along its rich turns and delicate melancholy like the river of the title. Mitchell teaches us how to embrace loneliness as a friend rather than an enemy. “Only a phase, these dark café days.”

 

Bong Joon Ho’s Parasite placed first in the Indiewire’s critics poll for 2019, which polled 304 movie critics from around the world to pick the best movies and performances of the year. I loved Parasite, but the fact that it’s the pick for best movie of the year really speaks to the paucity of transcendent or even brilliant films this year. The movie is brilliant, but flawed, and it’s not even among Joon Ho’s two best films (of which one would certainly be the scorching, unforgettable Mother). The 50 Best Movies of 2019, According to 304 Film Critics [IndieWire]

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CoffeeGirl Reads: The Snowman

thesnowman book

 

I started my first Jo Nesbø, who is probably the greatest Nordic crime fiction writer alive now that Mankkell is no longer writing and Stieg Larsson is dead. Thus far it is very broody and suffused with a tone of depression that matches what the main character Harry Hole is experiencing, but the prose is slowly drawing me in, particularly this gem.

A young woman in the front row stood up unbidden, but without offering a smile. She was very attractive. Attractive without trying, thought Harry. Thin, almost wispy hair hung lifelessly down both sides of her face, which was finely chiseled and pale and wore the same serious, weary features Harry had seen on other stunning women who had become so used to being observed that they had stopped liking or disliking it. Katrine Bratt was dressed in a blue suit that underlined her feminity, but the thick black tights below the hem of her skirt and her practical winter boots invalidated any possible suspicions that she was playing it. She let her eyes run over the gathering, as if she had risen to see them and not vice versa.”

The Snowman, Jo Nesbø

Bring on the chills.

Caffeinated Links: Atwood and Nesbø Retell Shakespeare, Blistering Book Reviews, Men Get Dumber When Women Watch

measureofsuccessbook

 

Carolyn McCulley, one of my favorite authors, has a new book on success coming out RT

“The Norwegian thriller writer Jo Nesbø will write a retelling of Macbeth for the Hogarth Shakespeare series, according to a press release from the publisher. Nesbø is quoted in the release saying, “Macbeth is a story that is close to my heart because it tackles topics I’ve been dealing with since I started writing. A main character who has the moral code and the corrupted mind, the personal strength and the emotional weakness, the ambition and the doubts to go either way. A thriller about the struggle for power, set both in a gloomy, stormy crime noir-like setting and in a dark, paranoid human mind. No, it does not feel too far from home.” Hogarth has enlisted authors including Jeanette Winterson, who will retell The Winter’s Tale, and Margaret Atwood, who will retell The Tempest, for its series launching in 2016, the 400th anniversary of Shakespeare’s death.” RT

There is NOTHING I love more than a blistering book review

“On reflection, it might be quicker to list everyone Raphael loves, a roll-call that begins with R for Raphael and ends, a little abruptly, with R for Raphael” (nominated for Omnivore’s annual Hatchet Job awarding well-written critical/negative reviews) RT

The Atlantic putting the Academy Award noms with their customary succinct accuracy  –

“Finally, there’s Her, my choice for the best film of the year. It made out okay, with nominations for picture, screenplay, score, production design, and even a surprise nomination for “The Moon Song.” As much as I would’ve liked to see Scarlett Johansson nominated for best actress (or supporting actress, if necessary), that was always going to be a heavy lift given her physical non-presence in the film. But the Academy’s decision to pass on Joaquin Phoenix for actor and Spike Jonze for director—those are not to be forgiven. If one day in the not-so-distant future, our artificially intelligent computers turn out to be ill-tempered, more Skynet than Samantha, they will be able to point to these snubs as a rationale for their distrust—and ultimate eradication—of the human race.” RT

And finally, men get dumber when they think women are watching: “Unfortunately for men, this is a case of negative stereotypes containing a grain of truth. A pair of studies showed that when men were simply told that a female observer would be watching them perform a cognitive test, they performed less well, while women showed no difference regardless of the gender of their observer. Whether this is due to societal pressure for men to impress women, or a biological condition was not established.”  RT

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