Tag Archives: Marvel

Caffeinated Links: Boyhood’s Oscar Loss, Celebrities Date, the Emotions of Possessions, Women and Star Wars

Milan premiere of 'Cinderella'Lily James and Matt Smith are, adorably, dating. Cheers for British acting royalty coming together! RT

Japanese lifestyle writer Marie Kondo’s book the life-changing magic of tidying up unfolds her philosophy on owning and discarding your possessions. “Kondo’s philosophy is that you should only own things that you love, that everything else is just wasting both physical and emotional space. Although some of her advice can be eyebrow-raising (you’ll see), I decided to commit, following her advice to the letter one Saturday in January.” RT The Millions

EW’s Chris Nashawaty on the Oscar Boyhood loss- “More than anything, I think we’ll remember the movies. 2014 was a great year for them—and the Academy obviously thought so too, judging from the way it spread the love around to several deserving films. That said, while I don’t think anyone will look back years from now and consider Best Picture winner Birdman an embarrassment on par with Crash or Forrest Gump, I do think we’ll all still be wondering how in the hell Boyhood didn’t take it.” RT

But it’s Slate who nailed it. “By nominating Boyhood, the academy gave itself the chance to recognize a movie that is not just good but revolutionary—a film that reconsiders, in surprising and rewarding ways, the medium’s relationship with time, with storytelling, and with its audience. It’s both a singular work—no one but Richard Linklater could have made it—and a universal one, reflecting the elemental formative experiences of nearly every viewer, even those who don’t, on the surface, have a lot in common with Mason or Samantha or Olivia or Mason Sr. It’s the crowning work of a crucial American filmmaker and a profound statement about the lives we live. But the academy gave Best Picture to a movie about an actor’s identity crisis—a movie about, in Mark Harris’ perfect turn of phrase, “someone who hopes to create something as good asBoyhood.”  RT

Fellow Sound on Sight writer Mallory Andrews has a wonderful piece on being a woman and loving Stars Wars – “Holding Out for a Heroine”. “My Leias had one important difference: my versions always included a lightsaber (often stolen from one of my brother’s three Luke Skywalkers). My logic behind this character embellishment was airtight: she was the “other Skywalker,” the sister of the galaxy’s greatest Jedi hero, whose latent Force powers were surely awaiting discovery after the events of the Return of the Jedi. Why wouldn’t she have a lightsaber? The worst unfulfilled promise of Star Wars has always been Yoda’s proclamation that “there is another Skywalker” and the eventual reveal that Leia was this new hope. Her potential is teased (“You have that power too. In time you’ll learn to use it as I have”) but it is never followed through.” RT

Joss Whedon gave Digital Spy a great interview. “Fox’s X-Men property came up, as its home to many notable A-List female heroes — Storm, Rogue, Kitty Pryde, Jean Grey, Mystique — that Marvel Studios cannot use. “The X-Men was the next evolution of the Marvel paradigm back when I was reading it,” said Whedon. “And, you know, because of the metaphor [of] they were dealing with these oppressed people … there really wasn’t a gender bias in the books. As soon as Marvel [Girl, aka Jean Grey] became Phoenix, the most powerful person in the universe, everything was on the table. It was all multicultural and there was no real question of gender in the book. Now, you can look at it and say, ‘Well, this attitude is dated.’ I’m sure that’s the case if I went back to them. But the fact is it was kind of a utopia. I didn’t know it at the time, because I just assumed that’s how things should be done.” RT

“The idea that police use the good cop, bad cop routine is “very Hollywood,” he says. In fact, it’s standard procedure to record interrogations either using video or audio, he says, preventing fishy business. Plus, the police have just as much interest as the public in nabbing the real criminal, Esparza says. “No department wants the image of locking up innocent people.” RT She Can Convince You That You Committed a Crime

Caffeinated Links: How to Sustain Creativity and Inspiration, Greatest Action Setpieces in Film History, and What Is Love

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Erich Campbell on consuming broadly in order to create with focus – “In my opinion, creativity and problem-solving are cultivated, not granted like a wish; they grow, and like any growing thing they must be fed and cared for, given the proper environment. Once grown, the resultant creativity must be trained and exercised, pruned and the selected offshoots allowed to flower. Taken step by step, I think all people are capable of incredible creativity.” RT

Good read on how Singaporeans have developed a misplaced sense of entitlement in the wake of the city-state’s massive economic success- “The level of materialism – what you wear, where you live, what you drive, what you wear on your wrist – has become a key determinant of the value of human life. This is absolute nonsense.

But it’s the unintended consequence of the fantastic economic success which we have enjoyed. In our headlong rush for more money, a lot of values seem to have been lost.” RT

Incredible video essay mashup of some of the greatest action scenes in film history. Scenes from classics of the past ten years and more including Batman Begins, North By Northwest, Scarface and more. RT Indiewire

Ta-nehisi Coates on the resurrection of the Peter Parker/Mary Jane marriage in the upcoming Marvel comics. “I say this because I knew, from a very early age, that there was love in my house, imperfect love, love that was built, decided upon, as opposed to magicked into existence.That was how Peter loved Mary Jane. They were not destined to be. She was not his Lois Lane. His Lois Lane—Gwen Stacy—was murdered for the crime of getting too close to him, and the guilt of this always weighed on him. Whatever. While the world was fooled, Mary Jane Watson knew Peter Parker was Spider-Man.” RT Atlantic

Marvel Mashup – You Will Remember Me for Centuries

Honest Trailers – Captain America: The Winter Soldier

An unusually good Honest Trailer, because he admits straight-up it’s an awesome movie…and then manages to hilariously make fun of it anyway.

Caffeinated Links: Food Revolution Bound by Income, Freelance Advice, The Cutting Edge Snark

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It’s been far too long since I did one of these.

You guys, I love The Cutting Edge. It’s adorable and weird and cheesy and adorable. It’s really not bad. But Pajiba’s Courtney Enlow is HILARIOUS reviewing it. You want to read this. RT Pajiba

This is important for you us creative types. Contently’s Freelancer Playbook for Scoring Press Passes. RT

Allie Brosh of Hyperbole and a Half has a great interview out. “That part that is selfish and weird and greedy is part of me, and that’s always going to be a part of me, no matter how much I try to cover it up. It’s like watching my dogs misbehave, it’s like, “Oh you, you’re doing that again.” RT Hairpin

Great Guernica article on the geographical nature of food perspectives. “That, I think, is what is lost in this whole national discussion about food. Because it’s led by people who don’t have to worry. It’s not that people aren’t aware of that, but it’s totally different to really understand it—and to craft messages and strategies that account for it… You’re sitting with people, and they’re really poor, and their lives, because they are poor, are very chaotic. Somebody’s brother is in jail, somebody is on drugs, somebody is working the night shift at the gas station, the kid has ADHD. And you’re sitting there going, “Have you thought about whole grains?” It sounds, to them, like somebody saying, “Oh, my private jet broke down.” RT Guernica

You’ve probably already seen this. If not, you need to. Star Wars trailer, Guardians of the Galaxy style.

Caffeinated Links: Black Widow/Captain America Relationship, Colin Firth, Mindy Lahiri

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Captain America: Winter Soldier was one of the better movies I’ve seen in a while, and easily one of the best superhero movies. I’m particularly loving this article from EW about the Black Widow/Cap relationship. “Which is why it feels weird to take up “Who Will Black Widow Hook Up With?” as a talking point. The answer could totally be “no one,” and that’s fine. But I don’t think I’m the only one who felt the Cap-Widow chemistry in Winter Soldier. There’s a nice bit of mutual dislocation in their characters: He’s a man out of time; she’s a woman without a past. (She’s from Russia, question mark?) He’s pure pre-’60s sincerity, she’s pure post-’90s cynicism. (Evans and Johansson even have an onscreen past: Friends in The Perfect Score, dating in The Nanny Diaries.)” RT

Colin Firth gives a very funny and endearing appearance on The Tonight Show in which he talks about learning to do a somersault. RT

Bill Morris at The Millions writes eloquently about the rise of second novels. “Of course, second novels don’t always flop — or drive their creators away from fiction-writing.  Oliver TwistPride and Prejudice, Samuel Richardson’s Clarissa, Thomas Pynchon’s The Crying of Lot 49, and John Updike’s Rabbit, Run are just a few of the many second novels that were warmly received upon publication and have enjoyed a long shelf life.  But until about a year ago, I regarded such stalwarts as the exceptions that proved the rule.  Then a curious thing happened.  I came upon a newly published second novel that knocked me out.  Then another.  And another.  In all of these cases, the second novel was not merely a respectable step up from a promising debut.  The debuts themselves were highly accomplished, critically acclaimed books; the second novels were even more ambitious, capacious, and assured.” RT

TWC Central on The Mindy Project. “Ms. Kaling may have been something of an annoying caricature on The Office, but on The Mindy Project she has written herself a plum role – and become a role model. Her Dr. Mindy Lahiri is based on her late mother, who was also a doctor, and like her mother is a smart, well-educated professional. She is both self-conscious of her weight and other body issues, but also remains proud of her curves, her color and her culture. Her character, like the woman herself, is not the cookie-cutter cuddly cutie pie so often found on sitcoms. She is smart, yet makes many bad decisions, mostly by following her heart rather than her head, and that is just another reason why so many viewers love Dr. Lahiri – and Ms. Kaling herself.”RT

Caffeinated Links: Trends of the Action Genre, Marvel and Wonder Woman

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Flavorwire on the three films this year that took a surprising approach to the “action” genre – “Captain Phillips, Dr. Stone, and Our Man are neither the gun-slinging robots nor the impenetrable, untouchable, indestructible heroes that too much of modern cinema idolizes. They’re people, recognizable and relatable, and though their struggles may be extraordinary, they respond to them as we might. And these three films, traditional “action movies” or no, inject into the genre what was missing as those computer-generated buildings full of computer-generated people collapsed across multiplexes all summer: a much-needed dose of humanity.” RT

Absolutely superb article from Darren Franich at EW on the casting of Gal Gadot as Wonder Woman.

“We basically know what to expect from the Marvel movies at this point. Rigid professionalism. Witty banter. Assembly-line visual style. Unchallenging narratives. Cameos. But what the hell is this Man of Steel sequel, that has 40-something Oscar-winning Batman and man-candy emo Superman and heroin-chic B-movie-star Wonder Woman and football and rumored titles that all sound like early ’90s erotic thrillers? It sounds unlikely. That’s not a bad thing. ” RT

Caffeinated Links: Star Wars VII, History of Bollywood, Hook/Emma Romance

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So much goodness on Pajiba today summarizing 2015 films –

Avengers: Age of Ultron — The sequel to the third highest grossing film of all time, built inside one of the most successful cinematic universes of all time is obviously a slam dunk. The fact that James Spader — one of the most wry, deadpan actors in Hollywood — is playing the villain, and will voice Whedon’s ultra-wry dialogue only makes it that much more compelling. The addition of Elisabeth Olson (as the Scarlet Witch) and Aaron Taylor-Johnson (as Quicksilver) doesn’t hurt, nor does our expectation that Whedon will likely kill off a character. For maximum devastation, it should be Tony Stark, but I suspect cooler heads (and Marvel’s money bags) will prevail, meaning it’ll be someone like Pepper Potts. Bah!

Star Wars VII — Here’s what we know about Star Wars VII: It will be a continuation of the series that will pick up 20 to 40 years after Return of the Jedi. J.J. Abrams will direct. Simon Kinberg and Lawrence Kasdan are tasked with screenplay duties. Carrie Fisher, Harrison Ford and Mark Hamill will almost certainly return. Chewbacca is probably in it. Saoirse Ronan has auditioned for a role, but according to her, “so has everyone.” John Williams will compose the score. It will be filmed in the UK.

That’s essentially all we know, and the less we know, the more we will anticipate the return of the most successful sci-fi series of all time under the leadership of a director who is bound to improve upon George Lucas’ last trilogy. RT

Film School Rejects covers the new Star Wars writers more in depth – “Kasdan, by contrast, has moved from mere consultant to lead writer, and that should instill great confidence in anyone interested in a return to form for the Star Wars universe. Sure he co-wrote Dreamcatcher, but in addition to it being a fairly shitty source novel do you know who the other co-writer on the screenplay is? William Fucking Goldman. That’s right. The man behind The Princess Bride, Misery, All the President’s Men, Butch Cassidy & the Sundance Kid, Marathon Man, and more co-wrote the script for Dreamcatcher.” RT

Really really gorgeous Hook/Emma video starring the couple that has the TV-watching interwebs ablaze.

Brilliant article from Daniel Carlson on modern TV-watching. “I fight every day my desire to have everything be awesome and interesting and delivered on time and flawless and surprising and perfect. (I’m a Willenial.) Everything is go go go, now now now, this must be great and witty and dark or dark-lite or winking and self-reflexive and ready to be chopped into gifs. It has to be totes the best, or I just can’t even. It has to make you feel feels. It has to make you do all sorts of things that look like emotion but are in fact disguised methods of dissection. And God help me, sometimes I fall for it.” RT

And finally, quite a decent introduction to the history and style of Bollywood films from my friends over at LAAF. RT

Caffeinated Links: Jhumpa Lahiri, Sherlock Returns, Captain America the Winter Soldier Teaser

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Gorgeous. Thomas Beller writes about watching his daughter discover (and undiscover) books in The New Yorker – “A moment later, I tossed her Rilke’s “Letters to a Young Poet.” I walked out of the room to make breakfast, and glanced back to see her examining the cover. When I returned, she was outside, looking for worms, wearing a shirt of mine to keep warm. I watched as she bent down to inspect the earth. She stood up to remove the shirt and, with the impeccable logic of childhood, gently spread it over the moist, muddy ground and stood on it to keep her feet dry.” – RT

Jhumpa Lahiri in the NYT on perfect sentences – “I remember reading a sentence by Joyce, in the short story “Araby.” It appears toward the beginning. “The cold air stung us and we played till our bodies glowed.” I have never forgotten it. This seems to me as perfect as a sentence can be. It is measured, unguarded, direct and transcendent, all at once. It is full of movement, of imagery. It distills a precise mood. It radiates with meaning and yet its sensibility is discreet.” RT

Hilarious. Dalia Lithwick of Slate decides to wear Axe for an entire week. “Sunshine. Harps. It was the most sublimely powerful fragrance experience of my adult life. Truly. After decades of smelling like a flower or a fruit, for the first time ever, I smelled like teen boy spirit. I smelled the way an adolescent male smells when he feels that everything good in the universe is about to be delivered to him, possibly by girls in angel wings.” RT

Sherlock returns!! “Sherlock, Season 3″ — Sundays, January 19-February 2, 2014, 10:00 p.m. ET — Benedict Cumberbatch (The Fifth Estate, Star Trek Into Darkness) and Martin Freeman (The Hobbit, The Office UK) return as Sherlock Holmes and Doctor Watson in three new 90-minute episodes – “The Empty Hearse” (January 19), “The Sign of Three” (January 26) and “His Last Vow” (February 2) – of the contemporary reinvention of the Arthur Conan Doyle classic, written and created by Steven Moffat (Dr. Who) and Mark Gatiss (Game of Thrones). – via PBS

And finally, Captain America: The Winter Soldier Teaser!

Caffeine Frenzy: Advertising Against Child Abuse, Film Scripts, Daredevil, Whedon

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Billboard Shows Different Messages for Kids and Adults – In this case, if the billboard is seen by children under 1.3 meters (about 4 feet 3 inches), then the message, “If somebody hurts you, phone us and we’ll help you” appears along with a phone number for the ANAR Foundation (Aid to Children and Adolescents at Risk). There’s also a message just for adults, a warning saying, “Sometimes child abuse is only visible to the child suffering it.” (RT Mashable)

The Low-Grade Fever in the Southern Baptist Convention – “It’s easier to debate small matters with people who see the world much like we do than it is to engage with a lost world that seems increasingly hostile to the Christian perspective.” (RT The Gospel Coalition)

Solving Equation of a Hit Film Script, With Data- “A chain-smoking former statistics professor named Vinny Bruzzese — “the reigning mad scientist of Hollywood,” in the words of one studio customer — has started to aggressively pitch a service he calls script evaluation. For as much as $20,000 per script, Mr. Bruzzese and a team of analysts compare the story structure and genre of a draft script with those of released movies, looking for clues to box-office success.” (RT The New York Times)

What Can Marvel Do To Make Daredevil Work? Copy “Arrow” (Or, “Angel”) –
“With stories that are usually less about the action and more about the intrigue, and Daredevil solving crimes and prosecuting criminals at least as much as he’s kicking ass, there’s much more narrative potential for an ongoing superhero legal dramedy than another attempt at a blockbuster franchise. What would that show look, sound, and feel like? If you weren’t paying attention earlier, go ahead and re-read the title of this piece. So, hey, let’s make “Daredevil” a TV show, Marvel.”  (RT Pajiba)

“Make it dark, make it grim, make it tough, but then, for the love of God, tell a joke.” – Joss Whedon

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